{"id":11,"date":"2016-08-22T12:09:44","date_gmt":"2016-08-22T10:09:44","guid":{"rendered":"https:\/\/www.fabianvogler.de\/en\/work\/"},"modified":"2024-11-14T16:43:34","modified_gmt":"2024-11-14T15:43:34","slug":"work","status":"publish","type":"page","link":"https:\/\/www.fabianvogler.de\/en\/work\/","title":{"rendered":"Work"},"content":{"rendered":"<div class=\"su-row unterseitecontent headline\">\n<div class=\"su-column su-column-size-1-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<h1>WORK<\/h1>\n<\/div><\/div>\n<div class=\"su-column su-column-size-2-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<\/div><\/div>\n<\/div>\n<div class=\"su-row unterseitecontent\">\n<div class=\"su-column su-column-size-1-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<p><a href=\"https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2024\/11\/Fabian-Vogler-GAIA-scaled.jpg\" data-rel=\"lightbox-gallery-PI7cv00i\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-thumbnail wp-image-712\" src=\"https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2024\/11\/Fabian-Vogler-GAIA-240x240.jpg\" alt=\"2024, bronze\" width=\"240\" height=\"240\" srcset=\"https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2024\/11\/Fabian-Vogler-GAIA-240x240.jpg 240w, https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2024\/11\/Fabian-Vogler-GAIA-300x300.jpg 300w, https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2024\/11\/Fabian-Vogler-GAIA-1024x1024.jpg 1024w, https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2024\/11\/Fabian-Vogler-GAIA-768x768.jpg 768w, https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2024\/11\/Fabian-Vogler-GAIA-1536x1536.jpg 1536w, https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2024\/11\/Fabian-Vogler-GAIA-2048x2048.jpg 2048w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/a><\/p>\n<div class=\"rl-gallery-container rl-loading\" id=\"rl-gallery-container-1\" data-gallery_id=\"729\"> <div class=\"rl-gallery rl-basicgrid-gallery \" id=\"rl-gallery-1\" data-gallery_no=\"1\"> <div class=\"rl-gallery-item\"><a href=\"https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2024\/11\/Fabian-Vogler-GAIA-scaled.jpg\" title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2024\/11\/Fabian-Vogler-GAIA-300x300.jpg\" width=\"300\" height=\"300\" alt=\"2024, bronze\"\/><\/a><\/div><div class=\"rl-gallery-item\"><a href=\"https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2024\/11\/Fabian-Vogler-URANOS-OCTOTHORPE-TORSO-C1-scaled.jpg\" title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2024\/11\/Fabian-Vogler-URANOS-OCTOTHORPE-TORSO-C1-300x300.jpg\" width=\"300\" height=\"300\" alt=\"\"\/><\/a><\/div><div class=\"rl-gallery-item\"><a href=\"https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2024\/11\/Fabian-Vogler-OPS-scaled.jpg\" title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2024\/11\/Fabian-Vogler-OPS-300x300.jpg\" width=\"300\" height=\"300\" alt=\"\"\/><\/a><\/div><div class=\"rl-gallery-item\"><a href=\"https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2024\/11\/Fabian-Vogler-SATURN-Seitenansicht-scaled.jpg\" title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2024\/11\/Fabian-Vogler-SATURN-Seitenansicht-300x300.jpg\" width=\"300\" height=\"300\" alt=\"\"\/><\/a><\/div> <\/div> <\/div>\n<\/div><\/div>\n<div class=\"su-column su-column-size-2-3 fliesstext\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<h2>VIER G\u00d6TTINNEN DER FRUCHTBARKEIT<\/h2>\n<p>Dies ist eine neue Serie von 4 Bronzen, die dieses Jahr f\u00fcr die Ausstellung EINZEITWESEN im URMU Blaubeuren geschaffen wurden. Sie wurden im Hauptraum des Museums, dem sogenannten MAMMA-RAUM, ausgestellt, der normalerweise den \u00e4ltesten jemals entdeckten Venusfund, die VENUS VON HOHLE FELS ganz alleine beherbergt. Sie wird auf ein Alter von 42.000 Jahren gesch\u00e4tzt.<\/p>\n<\/div><\/div>\n<\/div>\n<div class=\"su-divider su-divider-style-default teilbar\" style=\"margin:15px 0;border-width:1px;border-color:#555\"><\/div>\n<div class=\"su-row unterseitecontent\">\n<div class=\"su-column su-column-size-1-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<p><a href=\"https:\/\/www.fabianvogler.de\/wp-content\/uploads\/2024\/02\/Fabian-Vogler_2023_ARBOL_sqs.jpg\" data-rel=\"lightbox-gallery-PI7cv00i\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-thumbnail wp-image-760\" src=\"https:\/\/www.fabianvogler.de\/wp-content\/uploads\/2024\/02\/Fabian-Vogler_2023_ARBOL_sqs-240x240.jpg\" alt=\"\" width=\"240\" height=\"240\" \/><\/a><\/p>\n<\/div><\/div>\n<div class=\"su-column su-column-size-2-3 fliesstext\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<h2><span style=\"color: #000000\"><span style=\"font-size: 18pt\">CONSCIOUSNESS<\/span><\/span><\/h2>\n<p><span style=\"color: #000000;font-size: 12pt\">CONSCIOUSNESS <\/span>is a series of 13 bronzen that have taken shape in 2023. <div class=\"su-expand su-expand-collapsed su-expand-link-style-default mehrtext\" data-height=\"0\"><div class=\"su-expand-content su-u-trim\" style=\"color:#333333;max-height:0px;overflow:hidden\">Protective gods and deities from different cultures, intuitions from other worlds.<\/div><div class=\"su-expand-link su-expand-link-more\" style=\"text-align:left\"><a href=\"javascript:;\" style=\"color:#000000;border-color:#000000\"><i class=\"sui sui-plus-square\" style=\"\" aria-label=\"\"><\/i><span style=\"border-color:#000000\">MORE<\/span><\/a><\/div><div class=\"su-expand-link su-expand-link-less\" style=\"text-align:left\"><a href=\"javascript:;\" style=\"color:#000000;border-color:#000000\"><i class=\"sui sui-minus-square\" style=\"\" aria-label=\"\"><\/i><span style=\"border-color:#000000\">LESS<\/span><\/a><\/div><\/div>\n<\/div><\/div>\n<\/div>\n<div class=\"su-divider su-divider-style-default teilbar\" style=\"margin:15px 0;border-width:1px;border-color:#555\"><\/div>\n<div class=\"su-row unterseitecontent\">\n<div class=\"su-column su-column-size-1-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<p><a href=\"https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2022\/05\/FabianVogler_PHALLUS-1-scaled.jpg\" data-rel=\"lightbox-gallery-PI7cv00i\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-thumbnail wp-image-555\" src=\"https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2022\/05\/FabianVogler_PHALLUS-1-240x240.jpg\" alt=\"\" width=\"240\" height=\"240\" \/><\/a><\/p>\n<\/div><\/div>\n<div class=\"su-column su-column-size-2-3 fliesstext\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<h2><span style=\"color: #000000\"><span style=\"font-size: 18pt\">PHALLUS<br \/>\n<\/span><\/span><\/h2>\n<p>The new series of 7 phallus shaped bronze sculptures. Six are of a similar size as the archaeological finds from 1400-800 BC, such as the Berlin Gold Hat, the Golden Cone of Ezelsdorf-Buch or the Avanton Gold Cone. One of the new interpretations is 1,60m high.<\/p>\n<div class=\"su-list ddllinks\" style=\"margin-left:0px\">\n<ul>\n<li><i class=\"sui sui-chevron-down\" style=\"color:#333\"><\/i> <a href=\"https:\/\/heissingsart.webflow.io\/vernissagen\" target=\"_blank\" rel=\"noopener\">LINK<\/a><\/li>\n<\/ul>\n<\/div>\n<\/div><\/div>\n<\/div>\n<div class=\"su-divider su-divider-style-default teilbar\" style=\"margin:15px 0;border-width:1px;border-color:#555\"><\/div>\n<div class=\"su-row unterseitecontent\">\n<div class=\"su-column su-column-size-1-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<p><a href=\"https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2022\/05\/FabianVogler_PPOWER-2-scaled.jpg\" data-rel=\"lightbox-gallery-PI7cv00i\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-thumbnail wp-image-566\" src=\"https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2022\/05\/FabianVogler_PPOWER-2-240x240.jpg\" alt=\"\" width=\"240\" height=\"240\" srcset=\"https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2022\/05\/FabianVogler_PPOWER-2-240x240.jpg 240w, https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2022\/05\/FabianVogler_PPOWER-2-300x300.jpg 300w, https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2022\/05\/FabianVogler_PPOWER-2-1024x1024.jpg 1024w, https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2022\/05\/FabianVogler_PPOWER-2-768x768.jpg 768w, https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2022\/05\/FabianVogler_PPOWER-2-1536x1536.jpg 1536w, https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2022\/05\/FabianVogler_PPOWER-2-2048x2048.jpg 2048w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/a><\/p>\n<\/div><\/div>\n<div class=\"su-column su-column-size-2-3 fliesstext\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<h3><span style=\"font-size: 18pt\">PUSSY POWER<\/span><a href=\"https:\/\/heissingsart.webflow.io\/bestard-vogler-2022berlin\"><br \/>\n<\/a><\/h3>\n<p>PUSSY POWER comes along in a fluorescent pink.\u00a0 \u00a0<div class=\"su-expand su-expand-collapsed su-expand-link-style-default mehrtext\" data-height=\"0\"><div class=\"su-expand-content su-u-trim\" style=\"color:#333333;max-height:0px;overflow:hidden\">\n<p>Installed within the beautiful surroundings of Reventlow Museum during the annual Land Art exhibition IN SITU.LOLLAND, this year under the title HUN, until the beginning of October.<\/p>\n<p>A vagina in the shape of a penis. The labia erect. The testicles formed of two snail shells. Looking like breasts. The labia arising out of them. Rearing up. Shaping something ship-like or a rocket. Fragmented, distorted, yet powerful. Thereby becoming a monument to the power and strength of the genitals \u2013 the female genitals.<\/p>\n<p>The vagina is every mammal\u2019s natural gateway into this world. Nevertheless, the connotations and strangely even the names and designations of the female gender are very often used in demeaning ways or even as a swear word.\u00a0We need a paradigm shift. PUSSY POWER shall draw attention to this \u2014 inspired by the book <em>Pussy: a reclamation<\/em> by Regena Thomashauer (2016, Hay House, New York).<\/p>\n<p>&#8220;A book written to reacquaint a woman with her own power source \u2014 which is the part of herself she has been taught to ignore, push down, and despise. Indeed, the word that most viscerally sums up that power is, as Regena puts it, arguably the most powerful pejorative word in the English language. Like any expletive used effectively, the title of this book is meant to be a wake-up call.&#8221; (quote) These thoughts have led to the sculpture\u2019s title PUSSY POWER.<\/p>\n<p>Simultaneously the rigidly conditioned binary of the two-sided gender system is deliberately called into question here. It simply falls too short. Every human being is composed out of both sexes. They form the two poles between which every human being needs to find a peaceful position. Harmony can only result from a healthy balance.<\/p>\n<p>Over a period of five years Fabian Vogler has developed the book <em>The Beauty of Sexes | Intersex in Dialogue<\/em> together with psychologist Prof. Dr. Katinka Schweizer, published in 2018. 30 experts, scientists and researchers from various scientific perspectives took part. They entered into a dialogue with 70 of Fabian Vogler\u2019s sculptures that were made at that time on the subject of &#8220;undefined gender&#8221;, partly also in cooperation with other artists.<\/p>\n<p>Now for <em>IN SITU<\/em> LOLLAND with the topic of <em>HUN<\/em> he has created a &#8220;female dick&#8221; &#8230; PUSSY POWER. May it be seen and understood as a wonderful and loving symbol of empowerment.<\/div><div class=\"su-expand-link su-expand-link-more\" style=\"text-align:left\"><a href=\"javascript:;\" style=\"color:#000000;border-color:#000000\"><i class=\"sui sui-plus-square\" style=\"\" aria-label=\"\"><\/i><span style=\"border-color:#000000\">MORE<\/span><\/a><\/div><div class=\"su-expand-link su-expand-link-less\" style=\"text-align:left\"><a href=\"javascript:;\" style=\"color:#000000;border-color:#000000\"><i class=\"sui sui-minus-square\" style=\"\" aria-label=\"\"><\/i><span style=\"border-color:#000000\">LESS<\/span><\/a><\/div><\/div>\n<div class=\"su-list ddllinks\" style=\"margin-left:0px\">\n<ul>\n<li><i class=\"sui sui-chevron-down\" style=\"color:#333\"><\/i> <a href=\"http:\/\/www.insitulolland.dk\/insitulolland.dk\/In_Situ_Lolland.html\">LINK<\/a><\/li>\n<\/ul>\n<\/div>\n<div class=\"su-list ddllinks\" style=\"margin-left:0px\">\n<ul>\n<li><i class=\"sui sui-chevron-down\" style=\"color:#333\"><\/i> <a href=\"https:\/\/folketidende.dk\/artikel\/pussy-power-i-reventlowparken\" target=\"_blank\" rel=\"noopener\">NEWS<\/a><\/li>\n<\/ul>\n<\/div>\n<\/div><\/div>\n<\/div>\n<div class=\"su-divider su-divider-style-default teilbar\" style=\"margin:15px 0;border-width:1px;border-color:#555\"><\/div>\n<div class=\"su-row unterseitecontent\">\n<div class=\"su-column su-column-size-1-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<p><a href=\"https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2021\/11\/Fabian-Vogler-MAST_BOOM_TACK_-1-scaled.jpg\" data-rel=\"lightbox-gallery-PI7cv00i\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-533 size-thumbnail\" src=\"https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2021\/11\/Fabian-Vogler-MAST_BOOM_TACK_-1-240x240.jpg\" alt=\"\" width=\"240\" height=\"240\" srcset=\"https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2021\/11\/Fabian-Vogler-MAST_BOOM_TACK_-1-240x240.jpg 240w, https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2021\/11\/Fabian-Vogler-MAST_BOOM_TACK_-1-300x300.jpg 300w, https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2021\/11\/Fabian-Vogler-MAST_BOOM_TACK_-1-1024x1024.jpg 1024w, https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2021\/11\/Fabian-Vogler-MAST_BOOM_TACK_-1-768x768.jpg 768w, https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2021\/11\/Fabian-Vogler-MAST_BOOM_TACK_-1-1536x1536.jpg 1536w, https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2021\/11\/Fabian-Vogler-MAST_BOOM_TACK_-1-2048x2048.jpg 2048w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/a><\/p>\n<\/div><\/div>\n<div class=\"su-column su-column-size-2-3 fliesstext\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<h2><span style=\"color: #000000\"><span style=\"font-size: 18pt\">MAST*BOOM*TACK<br \/>\n<\/span><\/span><\/h2>\n<p>A series of 5 colorful bronze sculptures \u2013 one magenta, four turquoise. Two figures telling stories of a love tango \u2013 depicted as a dance on a mast. Inspired by the coal drawing BOAT DETAIL by Danish painter and graphic artist Mia Sloth M\u00f8ller.<\/p>\n<\/div><\/div>\n<\/div>\n<div class=\"su-divider su-divider-style-default teilbar\" style=\"margin:15px 0;border-width:1px;border-color:#555\"><\/div>\n<div class=\"su-row unterseitecontent\">\n<div class=\"su-column su-column-size-1-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-484 size-thumbnail\" src=\"https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2016\/08\/Fabain-Vogler-Ultrasculpture01s-240x240.jpg\" width=\"240\" height=\"240\" srcset=\"https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2016\/08\/Fabain-Vogler-Ultrasculpture01s-240x240.jpg 240w, https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2016\/08\/Fabain-Vogler-Ultrasculpture01s-300x300.jpg 300w, https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2016\/08\/Fabain-Vogler-Ultrasculpture01s.jpg 360w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/p>\n<\/div><\/div>\n<div class=\"su-column su-column-size-2-3 fliesstext\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<p><span style=\"font-size: 18pt\"><strong>ULTRA SCULPTURES<\/strong><\/span><\/p>\n<p>Vogler&#8217;s new series of ULTRASCULPTURES, a series of life-size, amorphously shaped bronze busts and fetish-like figures, takes us on a journey into free association with the humanoid figure.<div class=\"su-expand su-expand-collapsed su-expand-link-style-default mehrtext\" data-height=\"0\"><div class=\"su-expand-content su-u-trim\" style=\"color:#333333;max-height:0px;overflow:hidden\">It confronts us with different facets of human existence, awakens associations with African, Asian, oceanic or even Aztec sculptures, although they clearly are not. The surfaces have been worked through to the last detail and yet they seem as if they came directly from fire or remind us of excavated prehistoric finds. Condensed conglomerates of forms that encourage us to think and depict the human body more freely \u2013 strictly defined in their form, they form fantasy spaces, Phanasier\u00e4ume, that leave room for the free, subjective connoting of the viewer.\u00a0 HUBERTUS HOFFSCHILD, L\u00dcBECK, GERMANY<\/p>\n<\/div><div class=\"su-expand-link su-expand-link-more\" style=\"text-align:left\"><a href=\"javascript:;\" style=\"color:#000000;border-color:#000000\"><i class=\"sui sui-plus-square\" style=\"\" aria-label=\"\"><\/i><span style=\"border-color:#000000\">MORE<\/span><\/a><\/div><div class=\"su-expand-link su-expand-link-less\" style=\"text-align:left\"><a href=\"javascript:;\" style=\"color:#000000;border-color:#000000\"><i class=\"sui sui-minus-square\" style=\"\" aria-label=\"\"><\/i><span style=\"border-color:#000000\">LESS<\/span><\/a><\/div><\/div>\n<div class=\"su-list ddllinks\" style=\"margin-left:0px\">\n<ul>\n<li><i class=\"sui sui-star\" style=\"color:#333\"><\/i> <a href=\"https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2016\/08\/Fabian-Vogler-Hoffschild_Art_Karlsruhe2020_LF.pdf\">VIEW<\/a><\/li>\n<\/ul>\n<\/div>\n<\/div><\/div>\n<\/div>\n<div class=\"su-divider su-divider-style-default teilbar\" style=\"margin:15px 0;border-width:1px;border-color:#555\"><\/div>\n<div class=\"su-row unterseitecontent\">\n<div class=\"su-column su-column-size-1-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<p><a href=\"https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2016\/08\/Fabian_Vogler_PRINCE_SS02.jpg\" data-rel=\"lightbox-gallery-PI7cv00i\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-thumbnail wp-image-494\" src=\"https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2016\/08\/Fabian_Vogler_PRINCE_SS02-240x240.jpg\" alt=\"Fabian_Vogler_PRINCE_SS02\" width=\"240\" height=\"240\" srcset=\"https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2016\/08\/Fabian_Vogler_PRINCE_SS02-240x240.jpg 240w, https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2016\/08\/Fabian_Vogler_PRINCE_SS02-300x300.jpg 300w, https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2016\/08\/Fabian_Vogler_PRINCE_SS02.jpg 480w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/a><\/p>\n<\/div><\/div>\n<div class=\"su-column su-column-size-2-3 fliesstext\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<p><span style=\"font-size: 18pt\"><strong>THE PRINCE_SSES<\/strong><\/span><\/p>\n<p class=\"p1\">Dancing in front of us are strange beings \u2013 interesting, but alien. At first sight, the bronze figures appear to be incomplete; they are missing limbs, even heads, which may well account for their otherness.<div class=\"su-expand su-expand-collapsed su-expand-link-style-default mehrtext\" data-height=\"0\"><div class=\"su-expand-content su-u-trim\" style=\"color:#333333;max-height:0px;overflow:hidden\">But more disconcerting than the torsos, which we have encountered many times throughout art history, is the fact that we cannot make out whether the bodies represented here are female or male figures. Physical and social signifiers of sex are abundant (vaginas and penises, broad hips and tulle skirts, for instance), but in their combinations they only foil our expectations. The <span class=\"s1\"><i>PRINCE_SSES<\/i><\/span>\u2019 external markers create confusion; Vogler juxtaposes female body shapes with male sexual organs in one figure, making it difficult for us to ascribe them a clear identity.<\/p>\n<p class=\"p1\">Like many other series of works by Fabian Vogler, his <span class=\"s1\"><i>PRINCE_SSES<\/i><\/span> confront us with sexuality in all its shimmering truthfulness and diversity. Vogler is one of the few contemporary artists to reflect on the elemental aspects of sexuality and use that perspective to explore human identity. Here, Kunstwollen hones in on sex and gender, and in his works, Vogler negotiates these terms in their most comprehensive sense, as referring to a social role (gender) and a person\u2019s physical constitution (sex). Through his art, Vogler forges a connection with the great female artist of sexual identity: Meret Oppenheim, whose aesthetic metaphysics offers up a response to two major questions: How do we overcome socially constructed gender differences? and: What defines human creativity?<span class=\"s2\"> I would like to draw on Oppenheim at this point, as her perspective opens up an ideal avenue for us to approach Vogler\u2019s work. DR. CHRISTIAN WALDA<\/span><\/p>\n<\/div><div class=\"su-expand-link su-expand-link-more\" style=\"text-align:left\"><a href=\"javascript:;\" style=\"color:#000000;border-color:#000000\"><i class=\"sui sui-plus-square\" style=\"\" aria-label=\"\"><\/i><span style=\"border-color:#000000\">MORE<\/span><\/a><\/div><div class=\"su-expand-link su-expand-link-less\" style=\"text-align:left\"><a href=\"javascript:;\" style=\"color:#000000;border-color:#000000\"><i class=\"sui sui-minus-square\" style=\"\" aria-label=\"\"><\/i><span style=\"border-color:#000000\">LESS<\/span><\/a><\/div><\/div>\n<div class=\"su-list ddllinks\" style=\"margin-left:0px\">\n<ul>\n<li><i class=\"sui sui-star\" style=\"color:#333\"><\/i> <a href=\"https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2016\/08\/Fabian_Vogler_IMAGO.pdf\">VIEW<\/a><\/li>\n<\/ul>\n<\/div>\n<\/div><\/div>\n<\/div>\n<div class=\"su-divider su-divider-style-default teilbar\" style=\"margin:15px 0;border-width:1px;border-color:#555\"><\/div>\n<div class=\"su-row unterseitecontent\">\n<div class=\"su-column su-column-size-1-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-333\" src=\"https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2016\/08\/dittmar_startseite_b.jpg\" alt=\"dittmar_startseite_b\" width=\"240\" height=\"240\" \/><\/p>\n<\/div><\/div>\n<div class=\"su-column su-column-size-2-3 fliesstext\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<p><strong>DITTMAR&#8217;S BROTHERS AND THEIR TRAVELS<\/strong><\/p>\n<p><em>Dittmar&#8217;s Brothers<\/em>\u00a0exist as an edition of 7+2ap in nine bronze versions. The &#8220;brothers&#8221; love traveling and live in different parts of the world. Therefore each bronze cast has it&#8217;s own photo series &#8211; DITTMAR&#8217;S BROTHER&#8217;S TRAVELS<\/p>\n<div class=\"su-list ddllinks\" style=\"margin-left:0px\">\n<ul>\n<li><i class=\"sui sui-star\" style=\"color:#333\"><\/i> <a href=\"https:\/\/www.fabianvogler.de\/en\/work\/dittmarsbrother\/\">VIEW<\/a><\/li>\n<\/ul>\n<\/div>\n<\/div><\/div>\n<\/div>\n<div class=\"su-divider su-divider-style-default teilbar\" style=\"margin:15px 0;border-width:1px;border-color:#555\"><\/div>\n<div class=\"su-row unterseitecontent\">\n<div class=\"su-column su-column-size-1-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-352 size-thumbnail\" src=\"https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2016\/08\/FVogler-Menina3-Barcelona-240x240.jpg\" width=\"240\" height=\"240\" srcset=\"https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2016\/08\/FVogler-Menina3-Barcelona-240x240.jpg 240w, https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2016\/08\/FVogler-Menina3-Barcelona-300x300.jpg 300w, https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2016\/08\/FVogler-Menina3-Barcelona-768x768.jpg 768w, https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2016\/08\/FVogler-Menina3-Barcelona-1024x1024.jpg 1024w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/p>\n<\/div><\/div>\n<div class=\"su-column su-column-size-2-3 fliesstext\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<p><span style=\"font-size: 18pt\"><strong>MENINA<\/strong><\/span><\/p>\n<p>\u201cUp to now the Meninas are a series of 8 large standing sculptures inspired by a painting of the same name by Diego Vel\u00e1zquez.\u00a0This is one of the best known and most discussed paintings in art history.<div class=\"su-expand su-expand-collapsed su-expand-link-style-default mehrtext\" data-height=\"0\"><div class=\"su-expand-content su-u-trim\" style=\"color:#333333;max-height:0px;overflow:hidden\">It is supposed to be the portrayal of the &#8220;theology of painting&#8221; (Luca Giordano) or the &#8220;philosophy of art&#8221; (Thomas Lawrence). Its enigmatic iconography seems to be one of the best reflections on the question: What is a painting able to show? In the centre of the composition we see the young Infanta Margarita wearing a robe typical for the time, yet it is by far unsuitable for a 5-year old. The little girl is standing there, rigid as if wearing armour, not capable of moving naturally and sternly looking towards the observer. Dresses of that era deform the body and do not allow its original shape to be seen. The tight corsage and the crinoline reflect an ideal silhouette of the time, however the anatomical facts as well as the age of the wearer are being totally neglected. The garment does reflect a premature eroticisation. Fabian Vogler uses the young Infanta as a basic shape to build his sculptures for this series.\u201d<\/p>\n<p>Quote from\u00a0\u201cEvents of Plasticity\u201d by Sophie Cieslar from the book \u201ePerfect Imperfection. Sculptures and Reliefs 2011-2015\u201c (pictus verlag 2015, ISBN 978-3-927212-81-7)<strong><br \/>\n<\/strong><\/p>\n<\/div><div class=\"su-expand-link su-expand-link-more\" style=\"text-align:left\"><a href=\"javascript:;\" style=\"color:#000000;border-color:#000000\"><i class=\"sui sui-plus-square\" style=\"\" aria-label=\"\"><\/i><span style=\"border-color:#000000\">MORE<\/span><\/a><\/div><div class=\"su-expand-link su-expand-link-less\" style=\"text-align:left\"><a href=\"javascript:;\" style=\"color:#000000;border-color:#000000\"><i class=\"sui sui-minus-square\" style=\"\" aria-label=\"\"><\/i><span style=\"border-color:#000000\">LESS<\/span><\/a><\/div><\/div>\n<div class=\"su-list ddllinks\" style=\"margin-left:0px\">\n<ul>\n<li><i class=\"sui sui-star\" style=\"color:#333\"><\/i> <a href=\"\/work\/menina\/\">VIEW<\/a><\/li>\n<\/ul>\n<\/div>\n<div class=\"su-list ddllinksrechterlink\" style=\"margin-left:0px\">\n<ul>\n<li><i class=\"sui sui-chevron-down\" style=\"color:#333\"><\/i> <a href=\"#\">LOAD<\/a><\/li>\n<\/ul>\n<\/div>\n<\/div><\/div>\n<\/div>\n<div class=\"su-divider su-divider-style-default teilbar\" style=\"margin:15px 0;border-width:1px;border-color:#555\"><\/div>\n<div class=\"su-row unterseitecontent\">\n<div class=\"su-column su-column-size-1-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<p><a href=\"\/work\/venus\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-100 size-thumbnail\" src=\"https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2016\/09\/venus2-240x240.jpg\" width=\"240\" height=\"240\" \/><\/a><\/p>\n<\/div><\/div>\n<div class=\"su-column su-column-size-2-3 fliesstext\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<p><strong><span style=\"font-size: 18pt\">VENUS<\/span><\/strong><\/p>\n<p><strong>\u201cFabian Vogler\u2019s figures must be considered as archetypes. On the one hand he is deliberately playing with the familiar, conventional canon of forms, he bestows titles to his works and puts them into a historical context. Though, on the other hand, he wants to show the objective metaphysical reality.<\/strong><div class=\"su-expand su-expand-collapsed su-expand-link-style-default mehrtext\" data-height=\"0\"><div class=\"su-expand-content su-u-trim\" style=\"color:#333333;max-height:0px;overflow:hidden\">\n<p>This is an anthropological approach: What are human beings all about? How does the time we live in influence our being? Starting from elemental forms, which are deeply rooted in our sub-conscious he endeavours to create &#8220;contemporary idols&#8221;. Each time has its idols, what might one of these look like today?\u201c<\/p>\n<p>Quote from \u201eArchetypes of the 21.century\u201c by Sophie Cieslar from the book \u201ePerfect Imperfection. Sculptures and reliefs 2011-2015\u201c (pictus verlag 2015, ISBN 978-3927212817)<\/p>\n<p><a href=\"#_ftnref\" name=\"_ftn1\">[1]<\/a>Interview with\u00a0Fabian Vogler, Vienna\u00a0February 2015<\/p>\n<\/div><div class=\"su-expand-link su-expand-link-more\" style=\"text-align:left\"><a href=\"javascript:;\" style=\"color:#000000;border-color:#000000\"><i class=\"sui sui-plus-square\" style=\"\" aria-label=\"\"><\/i><span style=\"border-color:#000000\">MORE<\/span><\/a><\/div><div class=\"su-expand-link su-expand-link-less\" style=\"text-align:left\"><a href=\"javascript:;\" style=\"color:#000000;border-color:#000000\"><i class=\"sui sui-minus-square\" style=\"\" aria-label=\"\"><\/i><span style=\"border-color:#000000\">LESS<\/span><\/a><\/div><\/div>\n<div class=\"su-list ddllinks\" style=\"margin-left:0px\">\n<ul>\n<li><i class=\"sui sui-star\" style=\"color:#333\"><\/i> <a href=\"https:\/\/www.fabianvogler.de\/work\/venus\/\">VIEW<\/a><\/li>\n<\/ul>\n<\/div>\n<div class=\"su-list ddllinksrechterlink\" style=\"margin-left:0px\">\n<ul>\n<li><i class=\"sui sui-chevron-down\" style=\"color:#333\"><\/i> <a href=\"#\">LOAD<\/a><\/li>\n<\/ul>\n<\/div>\n<\/div><\/div>\n<\/div>\n<div class=\"su-divider su-divider-style-default teilbar\" style=\"margin:15px 0;border-width:1px;border-color:#555\"><\/div>\n<div class=\"su-row unterseitecontent\">\n<div class=\"su-column su-column-size-1-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<p><a href=\"\/work\/venus-idol-superform\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-88 size-full\" src=\"https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2016\/08\/idol-superform.jpg\" width=\"240\" height=\"240\" \/><\/a><\/p>\n<\/div><\/div>\n<div class=\"su-column su-column-size-2-3 fliesstext\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<p><strong><span style=\"font-size: 18pt\">IDOL &amp; SUPERFORM<\/span><\/strong><\/p>\n<p><strong>\u201cImages of idols are deeply rooted in people. In this instance, the artist mentions the Venus of Willendorf and also the works of Constanstin Brancusi. Brancusi reduces his pieces of art to elemental forms, to a core shape. This introduces abstraction and &#8220;primitivism&#8221; into sculptural<\/strong> <strong>art.<\/strong><div class=\"su-expand su-expand-collapsed su-expand-link-style-default mehrtext\" data-height=\"0\"><div class=\"su-expand-content su-u-trim\" style=\"color:#333333;max-height:0px;overflow:hidden\">\n<p>&#8220;Simplicity is complexity resolved&#8221;1, writes Constantin Brancusi. The simple form is mantling the essence, the spiritual reality in each sculpture. The head, most reduced, is for Brancusi the ideal image of the Greek &#8220;idea&#8221;. The simplicity, balance and stillness of Brancusi\u2019s Sleeping Muse leads us directly to Fabian Vogler\u2019s three series of heads.\u201d<\/p>\n<p>Quote from \u201eArchetypes of the 21.century\u201c by Sophie Cieslar from the book \u201ePerfect Imperfection. Sculptures and reliefs 2011-2015\u201c (pictus verlag 2015, ISBN 978-3927212817)<\/p>\n<p><a href=\"#_ftnref\" name=\"_ftn1\">[1]<\/a> <em>Jerome Neutres, <\/em> &#8221;Brancusi in New York 1913-2013&#8221;, London 2013<\/p>\n<\/div><div class=\"su-expand-link su-expand-link-more\" style=\"text-align:left\"><a href=\"javascript:;\" style=\"color:#000000;border-color:#000000\"><i class=\"sui sui-plus-square\" style=\"\" aria-label=\"\"><\/i><span style=\"border-color:#000000\">MORE<\/span><\/a><\/div><div class=\"su-expand-link su-expand-link-less\" style=\"text-align:left\"><a href=\"javascript:;\" style=\"color:#000000;border-color:#000000\"><i class=\"sui sui-minus-square\" style=\"\" aria-label=\"\"><\/i><span style=\"border-color:#000000\">LESS<\/span><\/a><\/div><\/div>\n<div class=\"su-list ddllinks\" style=\"margin-left:0px\">\n<ul>\n<li><i class=\"sui sui-star\" style=\"color:#333\"><\/i> <a href=\"\/work\/venus-idol-superform\">VIEW<\/a><\/li>\n<\/ul>\n<\/div>\n<div class=\"su-list ddllinksrechterlink\" style=\"margin-left:0px\">\n<ul>\n<li><i class=\"sui sui-chevron-down\" style=\"color:#333\"><\/i> <a href=\"#\">LOAD<\/a><\/li>\n<\/ul>\n<\/div>\n<\/div><\/div>\n<\/div>\n<div class=\"su-divider su-divider-style-default teilbar\" style=\"margin:15px 0;border-width:1px;border-color:#555\"><\/div>\n<div class=\"su-row unterseitecontent\">\n<div class=\"su-column su-column-size-1-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-411 size-thumbnail\" src=\"https:\/\/www.fabianvogler.de\/wp-content\/uploads\/2016\/12\/FVoglerGerwinAtTheAtomiumsq-240x240.jpg\" width=\"240\" height=\"240\" \/><\/p>\n<\/div><\/div>\n<div class=\"su-column su-column-size-2-3 fliesstext\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<p><span style=\"font-size: 18pt\"><strong>GERWIN GOES TO BRUSSELS<\/strong><\/span><\/p>\n<p><a href=\"https:\/\/www.seandaniels.co.uk\/photography.html\">TOGETHER WITH PHOTOGRAPHER\u00a0SEAN DANIELS<\/a><\/p>\n<div class=\"su-list ddllinks\" style=\"margin-left:0px\">\n<ul>\n<li><i class=\"sui sui-star\" style=\"color:#333\"><\/i> <a href=\"https:\/\/www.fabianvogler.de\/wp-content\/uploads\/2016\/12\/Gerwin-Goes-Brussels.pdf\">VIEW<\/a><\/li>\n<\/ul>\n<\/div>\n<\/div><\/div>\n<\/div>\n<div class=\"su-divider su-divider-style-default teilbar\" style=\"margin:15px 0;border-width:1px;border-color:#555\"><\/div>\n<div class=\"su-row unterseitecontent\">\n<div class=\"su-column su-column-size-1-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<p><a href=\"https:\/\/www.fabianvogler.de\/work\/koepfe-uebersicht\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-205 size-thumbnail\" src=\"https:\/\/www.fabianvogler.de\/en\/wp-content\/uploads\/sites\/2\/2016\/09\/mnemosyne-240x240.jpg\" width=\"240\" height=\"240\" \/><\/a><\/p>\n<\/div><\/div>\n<div class=\"su-column su-column-size-2-3 fliesstext\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<p><strong><span style=\"font-size: 18pt\">K\u00d6PFE<\/span><\/strong><\/p>\n<p>There are various series on the topic of heads,\u00a0&#8220;K\u00f6pfe&#8221;. By following\u00a0the link, you can get an overview.<\/p>\n<div class=\"su-list ddllinks\" style=\"margin-left:0px\">\n<ul>\n<li><i class=\"sui sui-star\" style=\"color:#333\"><\/i> <a href=\"https:\/\/www.fabianvogler.de\/work\/koepfe-uebersicht\/\">K\u00d6PFE INDEX<\/a><\/li>\n<\/ul>\n<\/div>\n<\/div><\/div>\n<\/div>\n<div class=\"su-divider su-divider-style-default teilbar\" style=\"margin:15px 0;border-width:1px;border-color:#555\"><\/div>\n<div class=\"su-row unterseitecontent\">\n<div class=\"su-column su-column-size-1-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<p><a href=\"\/\/www.fabianvogler.de\/wp-content\/uploads\/2016\/11\/Fabian-Vogler-Regentrude-Breklum1.jpg\" data-rel=\"lightbox-gallery-PI7cv00i\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-340 size-thumbnail\" src=\"https:\/\/www.fabianvogler.de\/wp-content\/uploads\/2016\/11\/Fabian-Vogler-Regentrude-Breklum1sq-240x240.jpg\" alt=\"Die Regentrude von Breklum von Fabian Vogler\" width=\"240\" height=\"240\" \/><\/a><\/p>\n<\/div><\/div>\n<div class=\"su-column su-column-size-2-3 fliesstext\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<h3><\/h3>\n<h3><span style=\"font-size: 18pt\">FABIAN VOGLER. REGENTRUDE<br \/>\n<span style=\"font-size: 14pt\">Monument<\/span><\/span><\/h3>\n<p>Sculpture path | Breklum | Nordfriesland<\/p>\n<div class=\"su-list ddllinks\" style=\"margin-left:0px\">\n<ul>\n<li><i class=\"sui sui-heart\" style=\"color:#ff60a8\"><\/i> <a href=\"https:\/\/www.amazon.de\/Die-Regentrude-von-Breklum-Skulptur\/dp\/3927212865\/ref=sr_1_4?ie=UTF8&amp;qid=1479722566&amp;sr=8-4&amp;keywords=Heinrich+L%C3%BCth\" target=\"_blank\" rel=\"noopener\">BUY BROCHURE<\/a><\/li>\n<\/ul>\n<\/div>\n<div class=\"su-list ddllinks\" style=\"margin-left:0px\">\n<ul>\n<li><i class=\"sui sui-chevron-right\" style=\"color:#333\"><\/i> <a href=\"https:\/\/www.google.de\/maps\/place\/Regentrude+von+Breklum\/@54.6053465,8.986052,15z\/data=!4m5!3m4!1s0x0:0xdb8fe4ee41ab7c69!8m2!3d54.6053465!4d8.986052\" target=\"_blank\" rel=\"noopener\">MAPS<\/a><\/li>\n<\/ul>\n<\/div>\n<div class=\"su-list ddllinks\" style=\"margin-left:0px\">\n<ul>\n<li><i class=\"sui sui-chevron-right\" style=\"color:#333\"><\/i> <a href=\"https:\/\/www.landeskulturverband-sh.de\/fileadmin\/user_data\/pdf\/Aktuelles\/kulturseite_shz_nordfriesland_juli_2016.pdf\" target=\"_blank\" rel=\"noopener\">NEWS<\/a><\/li>\n<\/ul>\n<\/div>\n<\/div><\/div>\n<\/div>\n<div class=\"su-divider su-divider-style-default teilbar\" style=\"margin:15px 0;border-width:1px;border-color:#555\"><\/div>\n<div class=\"su-row unterseitecontent\">\n<div class=\"su-column su-column-size-1-3\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<p><a href=\"https:\/\/www.fabianvogler.de\/wp-content\/uploads\/2024\/02\/Fabian-Vogler_Tansition1_sq.jpg\" data-rel=\"lightbox-gallery-PI7cv00i\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-754 size-thumbnail\" src=\"https:\/\/www.fabianvogler.de\/wp-content\/uploads\/2024\/02\/Fabian-Vogler_Tansition1_sq-240x240.jpg\" alt=\"\" width=\"240\" height=\"240\" \/><\/a><\/p>\n<\/div><\/div>\n<div class=\"su-column su-column-size-2-3 fliesstext\"><div class=\"su-column-inner su-u-clearfix su-u-trim\">\n<h1>PUBLICATIONS<\/h1>\n<div class=\"su-list ddllinks\" style=\"margin-left:0px\">\n<ul>\n<li><i class=\"sui sui-star\" style=\"color:#ff60a8\"><\/i> <a href=\"https:\/\/www.fabianvogler.de\/wp-content\/uploads\/2024\/02\/Fabian-Vogler-PUBLICATIONS.pdf\">PDF PUBLICATIONS<\/a><\/li>\n<\/ul>\n<\/div>\n<\/div><\/div>\n<\/div>\n<h2 class=\"p1\">MONOGRAPHS<\/h2>\n<p class=\"p1\">SUNTE OLUF. A sculpture by Fabian Vogler after the Norwegian legend. Breklumer Kunst- und Kulturverein. pictus verlag. 2024.\u00a0 Broschure. 40 pages. ger<\/p>\n<p class=\"p1\">Fabian Vogler. TRANSITION. Sculptures from the In-Between 2018-2022. pictus verlag. 2023 .Softcover. 200 pages. eng|ger. ISBN 978-3-949674-02-0<\/p>\n<p class=\"p1\">Fabian Vogler. IMAGO pictus verlag. 2018. Softcover. 64 pages. eng|ger. ISBN 978-927212-91-6<\/p>\n<p class=\"p1\">DIE REGENTRUDE VON BREKLUM. A sculpture by Fabian Vogler after Theodor Storm&#8217;s fairy tale. Breklumer Kunst- und Kulturverein. pictus verlag.<span class=\"Apple-converted-space\">\u00a0 2016. <\/span>Broschure. 40 pages. ger. ISBN 978-3-927212-86-3<\/p>\n<p class=\"p1\">Fabian Vogler. PERFEKTE IMPERFEKTION Skulpturs and reliefs 2011-2015 pictus verlag. 2015. Hardcover. 260 pages. eng|ger. ISBN 978-3-927212-81-7<\/p>\n<h2 class=\"p1\">PUBLISHED<\/h2>\n<p class=\"p1\">2018 Katinka Schweizer und Fabian Vogler (Hg.). Die Sch\u00f6nheiten des Geschlechts. Intersex im Dialog Campus Verlag. Hardcover. 424 Seiten. deu. ISBN 978-3-593-50888-7<\/p>\n<h2 class=\"p1\">ENTRIES IN<\/h2>\n<p class=\"p1\">Jahrbuch f\u00fcr Psychoanalyse. Band 87 INTUITION. Psychosozial-Verlag. 2023. ISSN 0075-2363<\/p>\n<p class=\"p1\">WO KULTUR ENTSTEHT. WIE KULTUR GELINGT. mioq &amp;<span class=\"Apple-converted-space\">\u00a0 <\/span>Cornelia Regelsberger. hyperzine verlag. 2023. ISBN 978-3-948127-33-6<\/p>\n<p class=\"p1\">DEN BEV\u00c6GEDE KUFFERT. Seven degrees of freedom. BAK L\u00fcbeck. 2022<\/p>\n<p class=\"p1\">PERSPEKTIVEN DER SEXUALFORSCHUNG. Peer Briken (HG). Psychosozial-Verlag. 2022. ISBN 978-3-8379-2918-8<\/p>\n<p class=\"p1\">POCKET HOUSE. SMALL LIVING. WILD THINKING. Valentina Casacchia. press_press_milano. 2022<\/p>\n<p class=\"p1\">NORDFRIESLAND \u2013 VON EINST BIS JETZT. Thomas Steensen. Verlag: Husum. 2022. ISBN 9783967170726<\/p>\n<p class=\"p1\">Das Dritte Geschlecht. Ursula Rosen. Praxis Politik 1-2019. Westermann. 2019. ISNN 1860-255X<\/p>\n<p class=\"p1\">Wo Kunst entsteht. Hayo Heye und Jens Martin Neumann. K\u00fcnstlerateliers in Schleswig-Holstein. 2018. ISBN 978-30-00592-03-4<\/p>\n<p class=\"p1\">Zur Bedeutung intergeschlechtlicher Identi\u00e4ten und Vorbilder. Katinka Schweizer. Klett-Cotta. 2018. ISNN 0942-6051<\/p>\n<p class=\"p1\">potatoes go wild. fruchtbere gr\u00f4nd. European cultural capital 2018. Leeuwarden. 2018. ISBN 978-90-77448-17-5<\/p>\n<p class=\"p1\">DEN BEV\u00c6GEDE KUFFERT. Symposium at Faxe Kalkbrud. BAK L\u00fcbeck. 2018. ISBN 978-3-00-059201-0<\/p>\n<p class=\"p1\">Sie und Er: Wer sind wir?. KUNSTSTATION KLEINSASSEN.2018. ISBN 978-3-920563-75-3<\/p>\n<p class=\"p1\">ART-FIGURA 2017 Perla Castrum. 2017. Schwarzenberg<\/p>\n<p class=\"p1\">&#8230; mit eigenen Augen zu sehen. FREIHEIT DER GEDANKEN. BBK Schleswig-Holstein. 2017. ISBN 978-3-920563-75-3<\/p>\n<p class=\"p1\">Edition S41. DSV KUNSTKONTOR Deutscher Sparkassenverlag. 2016<\/p>\n","protected":false},"excerpt":{"rendered":"<p>MONOGRAPHS SUNTE OLUF. A sculpture by Fabian Vogler after the Norwegian legend. Breklumer Kunst- und Kulturverein. pictus verlag. 2024.\u00a0 Broschure. 40 pages. ger Fabian Vogler. TRANSITION. Sculptures from the In-Between 2018-2022. pictus verlag. 2023 .Softcover. 200 pages. eng|ger. ISBN 978-3-949674-02-0 Fabian Vogler. IMAGO pictus verlag. 2018. Softcover. 64 pages. eng|ger. ISBN 978-927212-91-6 DIE REGENTRUDE VON [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-11","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.fabianvogler.de\/en\/wp-json\/wp\/v2\/pages\/11","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fabianvogler.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.fabianvogler.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.fabianvogler.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fabianvogler.de\/en\/wp-json\/wp\/v2\/comments?post=11"}],"version-history":[{"count":61,"href":"https:\/\/www.fabianvogler.de\/en\/wp-json\/wp\/v2\/pages\/11\/revisions"}],"predecessor-version":[{"id":638,"href":"https:\/\/www.fabianvogler.de\/en\/wp-json\/wp\/v2\/pages\/11\/revisions\/638"}],"wp:attachment":[{"href":"https:\/\/www.fabianvogler.de\/en\/wp-json\/wp\/v2\/media?parent=11"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}